Graphic Design & Cultural Studies: A Bibliography

GRAPHIC DESIGN & CULTURAL STUDIES:

A BIBLIOGRAPHY


Dr. Matt Soar

Department of Communication Studies
Concordia University
Montreal QC H4B 1R6

(514) 848-2424 x2542

Email: matt.soar AT concordia.ca

Web: coms.concordia.ca/

Click here for a pdf version of this file.


This bibliography is drawn from my PhD dissertation
Graphic Design/Graphic Dissent: Towards a Cultural Economy of an Insular Profession
completed in 2002 in the Department of Communication Studies
at the University of Massachusetts Amherst.



_______. Tibor Kalman vs. Joe Duffy. (1990). Print, Mar/Apr, 68-75, 158-161.

_______. Confessions of the Guerrilla Girls. (1995). New York: HarperPerennial.

_______. 6 chapters in design: Saul Bass, Ivan Chermayeff, Milton Glaser, Paul Rand, Ikko Tanaka, Henryk Tomaszewski. (1997). San Francisco: Chronicle Books.

_______. Creative resistance contest. (1999). Adbusters, 27, August, p. 63.

_______. The culture jammers network. (1999). Adbusters, 27, August, p. 80.

_______. An interview with Adbuster's art director Chris Dixon. (1999). Emigre 49 Winter, 1999, 18-21.

_______. An interview with Adbuster's editor Kalle Lasn. (1999). Emigre 49 Winter, 1999, 14-17.

_______. Encyclopædia of 20th century graphic design periodicals. (2000). […] 1, Spring, p. 33

_______. Number of periodicals over time; number of periodicals over space. (2000). […] 1, Spring, p. 53.

_______. [Editorial]. (2000). […] 2, Winter, p. 1.

_______. Design interventions. (2001). Adbusters, 37, Sept/Oct 2001, np.

AIGA (nd). AIGA National Design Conference /September 23-26, 2001 / Washington, D.C.. New York: American Institute of Graphic Arts.

Adorno, T. & Horkheimer, M. (1973). Dialectics of enlightenment. London: Allen Lane.

Allen, J. S. (1983). The romance of commerce and culture: Capitalism, modernism, and the Chicago-Aspen crusade for cultural reform. Chicago: University of Chicago Press.

Als, H. (2002). Teen beat. The New Yorker, Jan 28, p. 17.

Ang, I. (1991). Desperately seeking the audience. London: Routledge.

Aynsley, J. (1994). Pressa Cologne, 1928: Exhibitions and publication design in the Weimar period. Design Issues, 10, 53-76.

Attfield, J. (1989). Form/female follows function/male: Feminist critiques of design. In J. A. Walker & J. Attfield (Eds.), Design history and the history of design (pp. 199-225). London /Winchester, MA: Pluto; Distributed in the USA by Unwin Hyman.

Bailey, S. (2000). An overview. […] 1, pp. 86-92.

Baker, S. (1997). Flying, stealing: Design's improper criticism. Design Issues, 13, 65-76.

Banham, R. (1974). The Aspen papers: Twenty years of design theory from the International Design Conference in Aspen. New York: Praeger.

Barthel, D. (1988). Putting on appearances: Gender and advertising. Philadelphia: Temple University.

Barthes, R. (1977). Image music text. New York: Hill & Wang.

Barthes, R. (1981). The death of the author. In J. Caughie (Ed.) Theories of authorship: A reader. London: Routledge & Kegan Paul/BFI, pp. 208-213.

Baumeister, H. (1978). Designer's sense of responsibility. Novum Gebrauchsgraphik, 49, 3-4.

Becker, H. (1982). Art worlds. Berkeley: University of California Press.

Becker, L. (2001). In our own hands: The democratization of graphic design. Design Book Review 44/45, Winter/Spring, pp. 26-37.

Bell, D. (1976). The cultural contradictions of capitalism. New York: Basic Books.

Benson, R. (1999). Flexible friends. The Guardian, Feb. 4 (p. 2).

Berman, D. (2000) [Letter to the editor] Adbusters 32, Oct/Nov, p. 9.

Bestley, R. & Noble, I. (2001). Document: We Interrupt the Programme. Southsea: Visual Research.

Bierut, M. (1998). Michael Bierut on design criticism. In Heller, S., & Pettit, E. (Eds.) Design dialogues. New York: Allworth Press, pp. 157-164.

Bierut, M. (2000) A manifesto with ten footnotes, ID, Mar/Apr, pp. 76-78.

Bierut, M., Drenttel, W., Heller, S., and Holland, D.K. (Eds.) (1994). Looking closer: Critical writings on graphic design. New York: Allworth Press.

Bierut, M., Drenttel, W., Heller, S., and Holland, D.K. (Eds.) (1997). Looking closer 2: Critical writings on graphic design. New York: Allworth Press.

Bierut, M., Helfand, J., Heller, S., & Poynor, R. (Eds.) (1999). Looking closer 3: Classic writings on graphic design. New York: Allworth Press.

Bierut, M., Drenttel, W., & Heller, S. (Eds.) (2002). Looking closer 4: Critical writings on graphic design. New York: Allworth Press.

Blauvelt, A. (1994) An opening: Graphic design’s discursive spaces, Visible Language, 28(3), pp. 205-217.

Blauvelt, A. (Ed.) (1994/95). New perspectives: Critical histories of graphic design, Visible Language, 28(3), 28(4), 29(1).

Bogart, M. (1995). Artists, advertising, and the borders of art. Chicago: University of Chicago Press.

Bonner, F., & du Gay, P. (1992). thirtysomething and contemporary consumer culture: Distinctiveness and distinction. In R. Burrows & C. Marsh (Eds.), Consumption and class: Divisions and change. London: Macmillan.

Bonsiepe, G. (1994). A step towards the reinvention of graphic design. Design Issues, 10, 47-52.

Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste (R. Nice, trans.). London: Routledge & Keegan Paul.

Brown, P. L. (1989) The media business: Advertising; Designers worry about self-image, The New York Times, Oct. 12, p. D23.

Bruinsma, M. (2000). Introduction. […] 1, pp. 3-7.

Buchanan, R. (1998). Branzi's dilemma: Design in contemporary culture. Design Issues, 14, 1-22.

Buchanan, R. (1998). Education and professional practice in design. Design Issues, 14, 63-66.

Buchanan, R., Doordan, D., & Margolin, V. (1994). A statement of editorial policy: To begin again. Design Issues, 10, 1-3.

Buchanan, R., & Margolin, V. (1995). Discovering design : Explorations in design studies. Chicago: University of Chicago Press.

Buckley, C. (1989). Made in patriarchy: Toward a feminist analysis of women and design. In V. Margolin (Ed.) Design discourse. Chicago: University of Chicago Press, pp. 251-264.

Burke, P. (1993). Family values: Two moms and their son. New York: Random House.

Busch, A. (1995). Ethical fervor and the graphics of choice. Print, 49, 52-57.

Bush, A. (1995). Criticism and the politics of absence. Emigre(36), 4-11.

Bush, A. (1997). Criticism and the discerning eye. Design Issues, 13, 16-23.

Callinicos, A. (1989). Against postmodernism: A Marxist critique. Cambridge: Polity.

Carey, J. (1988). Communication as culture: Essays on media and society. Boston: Unwin Hyman.

Cate, P. D. & Shaw, M. (Eds.) (1996). The spirit of Montmartre: Cabarets, humor, and the avant-garde, 1875-1905. New Brunswick: Rutgers.

Charles, M. R., & Heller, S. (1998). Michael Ray Charles on racial stereotypes. In S. Heller & E. Pettit (Eds.), Design dialogues (pp. 205-209). New York: Allworth.

Clark, D. (1993). Commodity lesbianism. In H. Abelove et al. (Eds.) The lesbian and gay studies reader. (New York: Routledge).

Clegg, S., & Mayfield, W. (1999). Gendered by design: how women's place in design is still defined by gender. Design Issues, 15(3), 3-16.

Crimp, D. & Rolston, A. (1990). AIDS demo graphics. Seattle: Bay Press.

Davis, M. (1998). How high do we set the bar for design education? In Heller, S. (Ed.) The education of a graphic designer. New York: Allworth Press/School of Visual Arts, pp.25-30.

de Bretteville, S. L. (1998). Sheila Levrant de Bretteville. In van Toorn, J. (Ed.). Design beyond design: Critical reflection and the practice of visual communication, Maastricht: Jan Van Eyck Akademie, pp. 114-127.

de Bretteville, S. L. (1999). Some aspects of design from the perspective of a woman designer. In M. Bierut et al. (Eds.), Looking closer 3: Classic writings on graphic design. New York: Allworth Press, pp. 238-245.

de Certeau, Michel (1984). The practice of everyday life [trans. S. Rendell]. Berkeley: University of California Press.

Dery, M. (1993) Culture jamming: Hacking, slashing, and sniping in the empire of signs, Westfield, NJ: Open Magazine Pamphlet Series.

Dignam, C. (2001). Adbusters are after you. AdAgeGlobal, May, p. 4.

Dilnot, C. (1989). The state of design history, part I: Mapping the field. In V. Margolin (Ed.) Design discourse: History, theory, criticism (pp. 213-232). Chicago, Ill.: University of Chicago Press.

Dilnot, C. (1989). The state of design history, part II: Problems and possibilities. In V. Margolin (Ed.), Design discourse : history, theory, criticism (pp. 233-250). Chicago, Ill.: University of Chicago Press.

DiLorenzo, B. (2000). Can vernacular philosophy in design be seen as a part of early counter-cultural yet cognitive design theory? (An overview of gender-oriented perception in pluralism). […] 2, Winter, pp. 62-64.

Doordan, D. (Ed.) (1995) Design history: An anthology, Cambridge MA: MIT Press.

Doordan, D. (1997). In the shadow of the fasces: Political design in Fascist Italy. Design Issues, 13, 39-52.

Dornfeld, B. (1998). Producing public television, producing public culture. Princeton, NJ: Princeton University Press.

Drucker, J. (1995). A century of artists' books. New York: Granary Books.

Drucker, J. (1998). Johanna Drucker on design theory. In Heller, S., & Pettit, E. (Eds.) Design dialogues. New York: Allworth Press, pp. 138-143.

du Gay, P. (1996). Consumption and identity at work. London; Thousand Oaks, Calif.: Sage Publications.

du Gay, P. (Ed.) (1997). Production of culture/Cultures of production. London: Sage/Open University.

du Gay, P., Hall, S., Janes, L., Mackay, H., & Negus, K. (1997) Doing cultural studies: The story of the Sony Walkman. London: Sage/Open University.

du Gay, P. & Pryke, M. (Eds.) (2002). Cultural economy: Cultural analysis and commercial life. London: Sage/Open University.

Dwiggins, W. A. (1999). New kind of printing calls for new design. In Bierut, M. et al. (Eds.). Looking closer 3: Classic writings on graphic design. New York: Allworth Press.

Ewen, S. (1988). All consuming images: The politics of style in contemporary culture. New York: Basic Books.

Ewen, S. (1990). Notes for the new millennium. ID, 34-37.

Ewen, S. (1998). Human relations: a short history of opinion management. AIGA Journal of Graphic Design, 16, 14-17.

Fairbairn, J. (1997). The gendered self. In S. Heller & M. Finamore & American Institute of Grahic Arts. (Eds.), Design culture : an anthology of writing from the AIGA journal of graphic design (pp. 233-237). New York: Allworth Press : American Institute of Graphic Arts.

Farrelly, L. (1998). Tibor Kalman, design and undesign. New York, NY: Watson-Guptill.

Featherstone, M. (1991). Consumer culture and postmodernism. London: Sage.

Fiske, J. (1989). Productive pleasures. In Fiske, J. Understanding popular culture. Boston: Unwin Hyman, pp. 49-68.

Fletcher, A. (2001). The art of looking sideways. London: Phaidon.

Flusser, V. (1995). Three essays and an introduction. Design Issues, 11, 50-61.

Flusser, V. (1999). The shape of things: A philosophy of design. London: Reaktion.

Foucault, M. (1981). What is an author? In J. Caughie (Ed.) Theories of authorship: A reader. London: Routledge & Kegan Paul/BFI, pp. 282-291.

Frank, T. (1997). The conquest of cool: Business culture, counterculture, and the rise of hip consumerism. Chicago: University of Chicago Press.

Frank, T. (1999). Why Johnny can't dissent. Emigre 49, Winter, 52-57.

Frascara, J. (1995). Graphic design: Fine art or social science? In Margolin, V., & Buchanan, R. (Eds.) The idea of design: A Design Issues reader. Cambridge, MA: MIT Press, pp. 44-55.

Frascara, J., Meurer, B., van Toorn, J., & Winkler, D. (1997). User-centered graphic design: Mass communication and social change. New York: Taylor & Francis.

Friedman, M. S., Giovannini, J., Heller, S., & Walker Art Center. (1989). Graphic design in America: A visual language history. Minneapolis/New York: Walker Art Center; Abrams.

Gabler, N. (1999). The republic of entertainment. AIGA Journal of Graphic Design, 17, 16-19.

Garland, K. (1994) First things last. [Letter to the editor] Eye, 14, p. 3.

Giddens, A. (1979). Central problems in social theory: Action, structure and contradiction in social analysis. London: Macmillan.

Gitlin, T. (1983). Inside prime time ( 1st ed.). New York: Pantheon Books.

Gitlin, T. (1998). The clutter of images and the disorder of sequence. AIGA Journal of Graphic Design, 16, 20-22.

Glaser, M. (1973). Graphic design. Woodstock, N.Y.: Overlook Press.

Glaser, M. (1997) Censorious advertising, The Nation, Sept. 22, p. 7.

Glaser, M. (2000). Art is work: Graphic design, interiors, objects and illustration. Woodstock, NY: Overlook Press.

Goffman, E. (1959). The presentation of self in everyday life. Garden City, N.Y.,: Doubleday.

Goffman, E. (1979). Gender advertisements. Cambridge MA: Harvard University Press.

Goldman, R. (1992). Reading ads socially. London: Routledge.

Goodall, P. (1996). Design and gender. In G. Robertson (Ed.), The Block reader in visual culture (pp. 187-208). London ; New York: Routledge.

Gossage, H. (1986). Is there any hope for advertising? Urbana: University of Illinois.

Greeley, R.-A. (1998). Richard Duardo's 'Aztlan' poster: Interrogating cultural hegemony in graphic design. Design Issues, 14, 21-34.

Greenhalgh, P. (1993). Quotations and sources on design and the decorative arts. Manchester: Manchester University Press.

Grefé, R. (2001). "Experience Design": AIGA's 21st-century designer. Graphis 331, Jan/Feb, p. 9.

Hall, P. & Sagmeister, S. (2001) Sagmeister: Made you look. London: Booth-Clibborn Editions.

Hall, S. (1972, Autumn). The determinations of newsphotographs. Working Papers in Cultural Studies, 3, 53-87.

Hall, S. (1980). Encoding/decoding. In S. Hall et al. Culture, media, language. (London: Hutchinson) pp.128-138.

Hall, S. (1982). The rediscovery of 'ideology': Return of the repressed in media studies. In Gurevitch, M., Bennett, T., Curran, J., & Woollacott, J. (Eds.) Culture, society and the media. London: Routledge, pp. 56-90.

Hall, S. (1994). Reflections on the encoding/decoding model: An interview with Stuart Hall. In Cruz, J. & Lewis, J. (Eds.) Viewing, reading, listening: Audiences and cultural reception. Boulder: Westview Press.

Hall, S. (Ed.) (1997). Representation: Cultural representations and signifying practices. London: Sage/Open University.

Hannah, F., & Putnam, T. (1996). Taking stock in design history. In G. Robertson (Ed.), The Block reader in visual culture (pp. 134-147). London ; New York: Routledge.

Hardt, H. (1992). Critical communication studies: Essays on communication, history and theory in America. New York: Routledge.

Harper, L. (1999). Radical graphics/graphic radicals. San Francisco: Chronicle Books.

Harris, S. (1998). Searching for a black aesthetic in American graphic design. In S. Heller (Ed.), The education of a graphic designer (pp. 125-129). New York: Allworth.

Harvey, D. (1991). Flexibility: Threat or opportunity? Socialist Review, 21(1), 65-77.

Helfand, J. (1998). Paul Rand, American modernist : two essays. New York: William Drenttel New York.

Helfand, J. (2001a). Hey, Mr. design man. Los Angeles Times, Jan 28, Book review section, p. 6.

Helfand, Jessica (2001b) Screen: Essays on graphic design, new media, and visual culture. Winter House/Princeton Architectural Press.

Heller, S. (1994). Introduction. In Bierut, M. et al. (Eds.), Looking closer: Critical writings on graphic design (pp. xiii-xv). New York: Allworth Press.

Heller, S. (1994). Guerrilla graphics. In Bierut, M. et al. (Eds.), Looking closer: Critical writings on graphic design (pp. 181-183). New York: Allworth Press.

Heller, S. (1997). Barbara Kruger: Smashing the myths. In S. Heller & M. Finamore (Eds.), Design culture: An anthology of writing from the AIGA Journal of Graphic Design (pp. 270-276). New York: Allworth Press.

Heller, S. (1998). Back talk: Katherine McCoy, educator, designer, writer. Print, 52(4), 38+.

Heller, S. (Ed.) (1998). The education of a graphic designer. New York: Allworth Press/School of Visual Arts.

Heller, S. (1999). Design literacy (continued): Understanding graphic design. New York: Allworth Press.

Heller, S. (2000). The swastika: A symbol beyond redemption? New York: Allworth Press.

Heller, S., & Finamore, M. (Eds.) (1997). Design culture: An anthology of writing from the AIGA Journal of Graphic Design, New York: Allworth Press.

Heller, S., & Helfand, J. (1999). Paul Rand. London: Phaidon.

Heller, S., & Pettit, E. (Eds.) (1998). Design dialogues. New York: Allworth Press.

Heller, S., & Pomeroy, K. (1997). Design literacy: Understanding graphic design. New York: Allworth Press.

Helm, J. (2000). Saving advertising. Emigre 53, Winter, pp. 4-20.

Henderson, L. (1990). Cinematic competence and directorial persona in film school: A study of socialization and cultural production., University of Pennsylvania, Philadelphia.

Henderson, L. (1995). Directorial intention and persona in film school. In L. Gross (Ed.), On the margins of art worlds (pp. 149-166). Boulder: Westview Press.

Henderson, L. (1999). Storyline and the multicultural middlebrow: Reading women's culture on National Public Radio. Critical Studies in Mass Communication 16, September, pp. 329-349.

Herman, E. (1999). The new activism [letter to the editor]. Adbusters, 27, p. 12.

Herman, E. & Chomsky, N. (1988) Manufacturing consent: The political economy of the mass media. New York: Pantheon.

Hirota, J. (1995). Making products heroes: Work in advertising agencies. In R. Jackall (Ed.) Propaganda. New York: NYU Press, pp. 329-350.

Hirschman, E. C. (1989). Role-based models of advertising creation and production. Journal of Advertising, 18(4), 42-53.

Holland, D. K. (1992). Graphic design education: Struggling through those awkward teenage years. Communication Arts, 34, 24.

Hollis, R. (1994). Graphic design: A concise history. London: Thames & Hudson.

Howard, A. (1994) There is such a thing as society, Eye, 13, pp. 72-77.

Hyde, L. (1998). Trickster makes this world: Mischief, myth, and art. New York: Farrar, Straus & Giroux.

Isenstadt, S. (1998). Visions of plenty: Refrigerators in America around 1950. Journal of Design History 11(4), 311-321.

Ivinski, P. A. (1997). Women who turn the gaze around. In Bierut, M. et al. (Eds.), Looking closer 2: Critical writings on graphic design (pp. 219-224). New York: Allworth Press.

Jacobs, K., & Heller, S. (1992). Angry graphics: Protest posters of the Reagan/Bush era. Salt Lake City: Peregrine Smith Books.

Jhally, S. (1989). The codes of advertising: Fetishism and the political economy of meaning in the consumer society. New York: St. Martin’s Press.

Jhally, S. (1995). Image-based culture: Advertising and popular culture. In Dines, G. & Humez, J. (Eds.) Gender, race and class in media. London: Sage.

Jimenez-Narvaez, L.-M. (2000). Design's own knowledge. Design Issues, 16, 36-51.

Jobling, P., & Crowley, D. (1996). Graphic design: Reproduction and representation since 1800. Manchester: Manchester University Press.

Johnson, R. (1986/7). What is cultural studies anyway? Social Text, 16, 38-80.

Johnston, P. (1997). Real fantasies: Edward Steichen's advertising photography. Berkeley: University of California Press.

Julier, G. (1993). The Thames and Hudson encyclopedia of 20th century design and designers. London: Thames and Hudson.

Julier, G. (2000). The culture of design. London: Sage.

Kalman, T., Hall, P., & Bierut, M. (1998). Tibor Kalman, perverse optimist. New York, NY: Princeton Architectural Press.

Kalman, T., Miller, J. A., & Jacobs, K. (1994). Good history/bad history. In Bierut, M. et al. (Eds.), Looking closer: Critical writings on graphic design (pp. 25-33). New York: Allworth Press.

Katz, J. (1995). Advertising and the construction of violent white masculinity. In Dines, G. & Humez, J. (Eds.) Gender, race and class in media. London: Sage.

Kazenoff, I., & Vagnoni, A. (1997, October). Babes in boyland. Creativity, 5(8), 18-20.

Keedy, J. (1998). Graphic design in the postmodern era. Emigre 47 Summer, 1998, 50-60.

Kern-Foxworth, M. (1994). Aunt Jemima, Uncle Ben, & Rastus: Blacks in advertising, yesterday, today, and tomorrow. Westport, CT: Greenwood.

Keyvanian, C. (2000). Manfredo Tafuri: From the critique of ideology to microhistories. Design Issues, 16, 3-15.

Kinross, R. (1992). Conversation with Richard Hollis on graphic design history. Journal of Design History, 5(1), 73-90.

Kinross, R. (1994). Blind eyes, innuendo and the politics of design. Visible Language 28(1), 68-78.

Klein, Naomi (2000) No logo: Taking aim at the brand bullies. New York: Picador.

Klein, N., & Poynor, R. (2000). No Logo (book review). AIGA Journal of Graphic Design, 18, 40-41.

Kline, S. (1993). Out of the garden: Toys, TV, and children’s culture in the age of marketing. London: Verso.

Knupfer, A. M. (2000). African American designers :: The Chicago experience then and now: A symposium, February 5, 2000, Du Sable Museum, Chicago. Design Issues, 16(3), 84-91.

Kruger, B., Goldstein, A., & Deutsche, R. (1999). Barbara Kruger. Los Angeles, CA Cambridge, Mass.: Museum of Contemporary Art ; MIT Press.

Lash, S. & Urry, J. (1987). The end of organized capitalism. Cambridge: Polity Press.

Lasky, J. (1995). Workers in their place: A visual essay. Print, 49, 114-129.

Lasn, K. (1999a) [Editor's note], Adbusters, 27, p. 12.

Lasn, K. (1999b) Culture jam: The uncooling of AmericaTM , New York: Eagle Brook/ William Morrow.

Lasn, K. (1999c). The people vs the corporate cool machine. Emigre 49 Winter, 10-12.

Lavin, M. (2001). Clean new world: Culture, politics, and graphic design.: Cambridge: MIT Press.

Lavin, M., & Sensemann, S. (1994). Cut with the kitchen knife (book review). Design Issues, 10, 71-73.

Lears, J. (1994). Fables of abundance: A cultural history of advertising in America. New York: BasicBooks.

Lee, M. (1993). Consumer culture reborn: The cultural politics of consumption. London: Routledge.

Leiss, W., Kline, S., & Jhally, S. (1990). Social communication in advertising: Persons, products and images of well-being (2nd ed.). Scarborough: Nelson Canada.

Levenson, B. (1987). Bill Bernbach’s book: A history of the advertising that changed the history of advertising. New York: Villard Books.

Lewis, J. (1991). The ideological octopus: An exploration of television and its audience. New York: Routledge.

Lupton, E. (1989). Reading Isotype. In Margolin, V. (Ed.) Design discourse: History, theory, criticism. Chicago: University of Chicago Press, pp. 145-156.

Lupton, E. (1992). High and low: A strange case of us and them? Eye 7, pp. 72-77.

Lupton, E. (1999). Graphic design in the urban landscape. In J. Rothschild (Ed.), Design and feminism: Re-visioning spaces, places, and everyday things. New Brunswick: Rutgers University Press, pp. 57-65.

Lupton, E. & Miller, J. A. (1994). Deconstruction and graphic design: History meets theory. Visible Language 28(4), pp. 346-366.

Lupton, E., & Miller, J. A. (1996). Design, writing, research: Writing on graphic design. New York: Kiosk/Princeton Architectural Press.

Lury, A. (1994) Advertising: Moving beyond the stereotypes. In R. Keat, N. Whiteley, & N. Abercrombie (Eds.) The authority of the consumer. London: Routledge.

Lutz, C., & Collins, J. (1993). Reading National Geographic. Chicago: University of Chicago Press.

MacDonald, N. (2000). Some final thoughts on First Things First. AIGA Journal of Graphic Design, 18, 10-11.

Makela, L. H., & Lupton, E. (1997). Underground matriarchy. In Bierut, M. et al. (Eds.), Looking closer 2: Critical writings on graphic design (pp. xiii, 273). New York, NY: Allworth Press.

Marchand, R. (1985). Advertising the American dream: Making way for modernity, 1920-1940. Berkeley: University of California Press.

Margolin, V. (1988). Rebellion, reform, and revolution: American graphic design for social change. Design Issues 5(1), Fall, pp. 59-70.

Margolin, V. (Ed.) (1989). Design discourse: History, theory, criticism. Chicago: University of Chicago Press.

Margolin, V. (1994). The age of communication: A challenge to designers. Design Issues, 10, 65-70.

Margolin, V. (1995). Design history or design studies: Subject matter and methods. Design Issues, 11, 4-15.

Margolin, V. (1997). Sisterserpent: A radical feminist art collective. In S. Heller & M. Finamore (Eds.), Design culture: An anthology of writing from the AIGA Journal of Graphic Design (pp. 269-270). New York: Allworth Press.

Margolin, V. (1997). The struggle for utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. Chicago: University of Chicago Press.

Margolin, V. (1998). Design studies: Proposal for a new doctorate. In Heller, S. (Ed.) The education of a graphic designer. New York: Allworth Press/School of Visual Arts, pp. 163-170.

Margolin, V. (2000). African-American designers in Chicago: Some preliminary findings. AIGA Journal of Graphic Design, 18(1), pp. 9-10.

Margolin, V., & Buchanan, R. (Eds.) (1995). The idea of design: A Design Issues reader. Cambridge, MA: MIT Press.

Marres, N. (2000). Autonomy revised / Keeping up the good work (after text generators). […] 2, pp. 10-14.

McChesney, R. W. (2000). Rich media, poor democracy: Communication politics in dubious times. New York: New Press.

McCoy, K. (1994). Countering the tradition of the apolitical designer. In J. Myerson (Ed.) Design renaissance: Selected papers from the International Design Congress, Glasgow, Scotland 1993. Horsham: Open Eye, pp. 105-114.

McCoy, K. (2000). Where is theory now? AIGA Journal of Graphic Design, 18, 8-9.

McGuigan, J. (1992). Cultural populism. London: Routledge.

McKee, S. (1997). Rainbows, closets, and drag: Appropriation of gay and lesbian imagery. In S. Heller & M. Finamore (Eds.), Design culture: An anthology of writing from the AIGA Journal of Graphic Design (pp. 8-10). New York: Allworth Press/American Institute of Graphic Arts.

McKenna, S. (1999). Theory and practice: Revisiting critical pedagogy in studio art education. Art Journal, Spring, pp. 75-79.

McLaren, C. (1999). Licensed to sell. Emigre 49 Winter, 1999, 30-31.

McQuiston, L. (1988). Women in design : a contemporary view. New York: Rizzoli.

McQuiston, L. (1993). Graphic agitation: Social and political graphics since the Sixties. London: Phaidon.

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